Field Note: Somewhere Over Nebraska
Somewhere over Nebraska, three rows of crochet had to come out. The stitches were wrong, the counting had gone sideways—and somehow, there was still serenity in starting again.
Continue readingSomewhere over Nebraska, three rows of crochet had to come out. The stitches were wrong, the counting had gone sideways—and somehow, there was still serenity in starting again.
Continue readingSome yarn seems to arrive with a plan.
You can almost see the sweater or shawl before you've finished winding the skein.
Others leave the question open.
I've had Indian Paintbrush in the Copper Crow collection from the beginning, inspired by the Wyoming wildflower that scatters red, coral, orange and the occasional unexpected shade across hillsides and mountain meadows. But seeing those familiar colors on a bulky base changes them somehow.
They're bigger here. Warmer. Easier to follow from one stitch into the next.
And bulky yarn has a rhythm all its own. Cast on a few stitches and before long, something has begun.
A hat, perhaps. A cowl. A scarf for that first genuinely cold morning.
Maybe that's part of the pleasure of bringing home a skein before you've settled on the answer.
Sometimes it's enough to put the yarn on the table, open the notebook, and wonder what it might become.
Continue readingA project bag holds more than yarn and tools. A quiet reflection on the useful, curious, and unexpected things that gather around a life spent making.
Continue readingSome projects begin simply enough. A skein or two. Needles. A pattern. Then another skein finds its way in. The notions pouch follows. Scissors. Measuring tape. And perhaps another project—just in case. Somewhere along the way, the project bag stops holding only the project.
Continue readingFrom a distance, a raven looks simply black.
Then the light changes.
Suddenly, deep blue, teal, and violet appear where you didn't expect them.
Our Raven colorway was inspired by that quiet moment of discovery. It's a reminder that some of the most beautiful things reveal themselves only when we slow down and look a little closer.
Continue readingThere are certain places in Wyoming that don't announce themselves.
They're easy to drive past without a second thought. A pullout along the highway. A quiet trail. An open meadow where the wind moves more noticeably than the people.
Then, almost without warning, the landscape changes.
Indian Paintbrush. Lupine. Prairie coneflowers. Yarrow. Tiny blooms you don't know the names of, all growing together in a way that somehow feels effortless.
No single flower carries the meadow.
It's the company they keep.
That was the feeling I hoped to capture with Wyoming Wildflowers.
One of my favorite parts of building Copper Crow is collaborating with makers whose craftsmanship I deeply admire. For Wyoming Wildflowers, I shared the landscape that lived in my mind with Shelly at Wicked Tint Yarns: the soft, scattered colors of a Wyoming meadow in bloom. Her interpretation became this yarn. It wasn't about matching individual flowers. It was about capturing the feeling of the place.
Instead of one bold color demanding attention, this yarn gathers soft lavender, pale yellow, fresh green, blush pink, and creamy white into something quieter. Together, they create a colorway that feels remarkably familiar, even if you can't quite place the memory.
It's the kind of yarn that changes slowly as you work. Every few rows reveal another little surprise, and each project develops its own rhythm depending on the stitches you choose.
That's one of the things I love most about variegated yarn.
No two finished pieces are ever exactly alike.
At Copper Crow, I spend a lot of time thinking about why certain things deserve a place on the shelves. It's never about carrying everything. It's about choosing materials that tell a story, invite curiosity, and make the act of creating feel just a little more meaningful.
Wyoming Wildflowers does exactly that.
It's peaceful without being plain.
Colorful without shouting.
Beautiful in the same quiet way a Wyoming meadow is beautiful.
The longer you spend with it, the more you notice.
And maybe that's the lesson both wildflowers and making have in common.
The best things rarely reveal themselves all at once.
They unfold, one stitch at a time.
Sometimes inspiration begins in one pair of hands and comes fully to life in another. Wyoming Wildflowers is one of those stories.
Crow Note
A meadow is never remembered for a single flower.
It's remembered for the way they all belong together.
Continue readingSomewhere between the highway miles and the Wyoming wind, Copper Crow Fiber Co. stopped being a someday dream and started becoming real.
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